BBC《蓝色星球III》保留瑕疵镜头以对抗AI时代过度精修的影像风格
Blue Planet III is keeping the rough edges in the age of AI
BBC《蓝色星球III》为保持真实性而保留不完美镜头，与以往追求完美画质不同，该系列故意保留海水中浮游生物、船只或浮标等瑕疵，旨在展现更真实的海洋生态。执行制片人 Elizabeth White 表示，真实海洋生物的奇妙远超 AI 想象。
Terrence O'Brien
is the Verge’s weekend editor. He’s covered the tech industry for over 18 years and knows a thing or two about synths.
BBC’s Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue Planet III goes warts and all.
Executive Producer Elizabeth White told The Guardian in the past, “the amount of plankton and things” floating in the water would have caused them to cut a shot. Or “we might have framed out a boat or a buoy or gone: ‘Oh, actually … the water conditions are not really good enough for this.’” Instead, this time they’re leaving it all in to show a more authentic, organic version of the oceans.
The series features incredible displays of dolphins trapping fish by plugging holes with sea sponges, inter-species fish communication, and 200,000 crabs lining up in formation to feed. White says that real ocean creatures “are probably more remarkable than AI could imagine.”
Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.
- Terrence O'Brien
来源: The Verge · AI · theverge.com